All film making, and all storytelling, has one primary objective: to elicit emotion in the audience. This objective is achieved with only three basic elements, which form the foundation of… read more →
Fiction writers must realize that much of what makes a novel great is by definition eliminated from the movie: writing style; interior thoughts of the characters; narration. Small elements of… read more →
Many fiction writers, at one point or another, consider adapting their own work into film. Because both novelists and screenwriters use characters to tell fictional stories, and since both wish… read more →
One of the biggest mistakes screenwriters make is giving too little importance to commercial appeal of their story. Before putting words on the page, a writer should always ask, “Is… read more →
Screenwriters and novelists are frequently told that before pursuing representation, they should have at least two completed screenplays or manuscripts. Agents prefer more than one writing sample because they want… read more →
In other articles I discuss everything from story structure and adaptation to pitching and marketing your story. But here I want to cover something much more basic – something that… read more →
If you’ve ever heard me lecture, or ever read almost anything I’ve written, you’ve heard me talk about Outer Motivation — a clear finish line that the hero is desperate… read more →
The first 10% of your screenplay is what I term the SETUP, during which you must transport the reader from the real world into the world you’ve created, as well… read more →
I often receive desperate letters from writers who say they can’t get anyone to respond to their query letters. If your letters, faxes or emails aren’t resulting in requests to… read more →
When you decide to write a spec script for television, you must first decide the series for which you want to write a sample episode. Focus on series you like,… read more →
