In real world conversations, we almost never declare whom it is we’re talking to. So unless a character in your story is searching for someone, shouting at someone, calling on… read more →
I once consulted with a screenwriter who complained when I told him his screenplay lacked credibility. “Movies aren’t ever real,” he argued. “Is it believable that zombies could take over the… read more →
Q: In Selling Your Story In 60 Seconds, you repeatedly stress the value of including antecedents — previously successful movies or novels that give agents, editors and producers a better… read more →
[Though this question is from a screenwriter, the issue it raises is just as critically important to novelists, speakers and internet marketers.] Q: Having recently completed the first draft of… read more →
Award winning author Kristan Higgins joins Michael during his Story Mastery event for the Connecticut chapter of the RWA to discuss her best selling novel The Next Best Thing. In… read more →
Q: A couple months have gone by since I completed my two screenplays. I have queried multiple agencies through the proper channels and have not gotten any success. All of… read more →
Q: I can’t identify Jason Bourne’s arc in THE BOURNE IDENTITY. He abhors the realization that he was an assassin working for Treadstone, and he continues to disapprove of his… read more →
Q: I’m an internet marketer, and during your recent webinar with Andre Chaperon, I heard you say that it’s OK to make things up in a speech or a story for… read more →
Have you ever been the last to arrive at a party and the host introduces you, one at a time, to everyone there? So how many of those names are… read more →
Your job as a storyteller is to create IMAGES. This is true not just for screenwriters, but for anyone presenting a story to a reader or an audience. Whenever we… read more →
