Defining your hero’s Outer Motivation can sometimes seem confusing because it can easily be mistaken for two of your hero’s other desires: his Preliminary Goal and his Ultimate Objective. The key to understanding these… read more →
What does the hero of your story want? Lots of things. And that’s the problem. Sifting through all those desires to pinpoint the ones that drive your story can be… read more →
What does the hero of your story want? Lots of things. And that’s the problem. Sifting through all those desires to pinpoint the ones that drive your story can be… read more →
What does the hero of your story want? Lots of things. And that’s the problem. Sifting through all those desires to pinpoint the ones that drive your story can be… read more →
When your goal is to deliver a written or spoken story that elicits emotion (as it ALWAYS must be), your story has to include 3 essential elements: character, desire and… read more →
In response to our survey asking about how our followers are using stories, and what challenges you’re encountering, screenwriter Taha Ali asked what it means when “the stakes are high”… read more →
The film THREE BILLBOARDS OUTSIDE EBBING, MISSOURI includes an early scene where the hero, Mildred Hayes (Frances McDormand) is confronted by Chief of Police Bill Willoughby (Woody Harrelson) about her… read more →
Last week I once again was part of a wonderful, almost indescribable experience. I had the privilege of joining World Champions of Public Speaking Darren LaCroix and Mark Brown at… read more →
The most powerful and persuasive stories don’t simply entertain or enlighten – they challenge their readers and audiences to transform – to find the courage to change their thoughts and… read more →
I want to share a story with you. This is a story about another story – one that my client James Stafford recently wrote and posted to his website, and… read more →
